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Created Mar 01, 2021

The Monster Has Kind Eyes: Intimacy and Frustration in The Last Guardian

by Kaelan Doyle-Myerscough

Published: Apr 18, 2009

Playful (Counter)Publics: Game Mods as Rhetorical Forms of Active and Subversive Player Participation

by Nicole Kurashige

Published: Apr 18, 2019

The Kinesthetic Index: Video Games and the Body of Motion Capture

by Grant Bollmer

Published: Apr 18, 2019

Wait Wait… Don’t Play Me: The Clicker Game Genre and Configuring Everyday Temporalities

by Oscar Moralde

Published: Apr 18, 2019

The Category Is Pathological: The Object Must Be Found, The Object Must Be Lacking

by Diego Costa

Published: Oct 20, 2014

Compression Aesthetics: Glitch From the Avant-Garde to Kanye West

by Carolyn L. Kane

Published: Oct 20, 2014

Cute Technics in the Love Machine

by Joel Gn

Published: Oct 20, 2014

Playing through the Terminal: Mixed Realism and Air Travel

by Christopher Schaberg and Timothy Welsh

Published: Oct 20, 2014

Provincial Matters

by Janet Wolff

Published: Oct 20, 2014

Knit for Defense, Purl to Control

by Jacqueline Witkowski

Published: Apr 18, 2015

Art Documents: The Politics of Visibility in Contemporary Photography

by Jayne Wilkinson

Published: Apr 18, 2015

Opacity and Sensation in Reynier Leyva Novo’s Historical Installations

by Guillermina De Ferrari

Published: Apr 18, 2015

The Problem of Nonhuman Phenomenology: or, What is it Like to Be a Kinect?

by Anne Pasek

Published: Apr 18, 2015

Performing the Document in Francis Alÿs’s Re-enactments (2001)

by Emily Rose Lyver-Harris

Published: Apr 18, 2015

Before Pictures: An interview with Douglas Crimp

by Hend Alawadhi

Published: Apr 03, 2017

The Lightest Distinction

by Hans Vermy

Published: Mar 29, 2014

Message in a Bottle: Contesting the Legibility/Illegibility of Ruins and Revival in Post-Katrina New Orleans

by Beatrice Choi

Published: Mar 29, 2014

Putting Penises under the Microscope

by Roberta Buiani and Gary Genesko

Published: Mar 29, 2014

The Selfie in the Age of Digital Recursion

by Adam Levin

Published: Mar 29, 2014

Molyneux Redux

by Georgina Kleege

Published: Oct 29, 2013

Plane Sighting

by Christopher Schaberg

Published: Oct 29, 2013

Elusive Memorials: Blind-Spots, Insight, and Gun Violence at the University of Texas at Austin

by Trevor Hoag

Published: Oct 29, 2013

Translations of Blind Perception in the Films Monika (2011) and Antoine (2008)

by Robert Stock and Beate Ochsner

Published: Oct 29, 2013

Art Forever New

by Alexander García Düttmann

Published: Oct 29, 2013

Google Search: Hyper-visibility as a Means of Rendering Black Women and Girls Invisible

by Safiya Umoja Noble

Published: Oct 29, 2013

Definite Indeterminacy: Blindness in the Civil War Imagery of Ambrose Bierce and Winslow Homer

by Vanessa Meike Schulman

Published: Oct 29, 2013

Developing the In/visible Astronaut

by Leonie Cooper

Published: Oct 29, 2013

“Pretty Pictures”: The Use of False Color in Images of Deep Space

by Anya Ventura

Published: Oct 29, 2013

Mediating Visual Experience: Zbigniew Libera’s Photographic Works and Google Street View Imagery

by łukasz zaremba

Published: Apr 10, 2013

Seeing the Sounds: Exceeding the Frame through the Acoustical Sublime in the Revelation at Sinai

by Raysh Weiss

Published: Apr 10, 2013

Snapshot Aesthetics and the Strategic Imagination

by Jonathan Schroeder

Published: Apr 10, 2013

Tasting Space

by Lidia Klein

Published: Apr 10, 2013

Serializing the Past: Re-Evaluating History in Mad Men

by Monique Miggelbrink

Published: Mar 18, 2012

Mourning Becomes the Mad Men: Notes on Nostalgia

by Aviva Dove-Viebahn

Published: Mar 18, 2012

“So Much Woman”: Female Objectification, Narrative Complexity, and Feminist Temporality in AMC’s Mad Men

by Fiona E. Cox

Published: Mar 18, 2012

Post-Katrina Citizen Media: Speaking NOLA

by Maria T. Brodine

Published: Mar 20, 2011

Composing Catastrophe: Robert Polidori’s Photographs in After theFlood and Comparative Visual Records of Post-Katrina New Orleans

by William M. Taylor

Published: Mar 20, 2011

Spectacular Disaster: The Louisiana Superdome and Subsumed Blackness in Post-Katrina New Orleans

by Brian Greening

Published: Mar 20, 2011

Encrypting Katrina: Traumatic Inscription and the Architecture of Amnesia

by Lindsay Tuggle

Published: Mar 20, 2011

Public Surfaces Beyond the Great Wall: Communication and Graffiti Culture in China

by Caitlin Bruce

Published: Sep 01, 2010

Between Absence and Presence: Exploring Video Earth’s What is Photography?

by Rika Iezumi Hiro

Published: Sep 01, 2010

The Politics of Spectacle: The Gwangju Biennale and the Asian Century

by Okwui Enwezor

Published: Sep 01, 2010

Breaking Dalinian Bread: On Consuming the Anthropomorphic, Performative, Ferocious, and Eucharistic Loaves of Salvador Dalí

by Julia Pine

Published: Jan 01, 2010

Distasteful: An Investigation of Food’s Subversive Function in René Magritte’s The Portrait and Meret Oppenheim’s Ma Gouvernante—My Nurse—Mein Kindermädchen

by Janine Catalano

Published: Jan 01, 2010

You Are What (and How) You Eat: Paul McCarthy’s Food-Flinging Frenzies

by Cary Levine

Published: Jan 01, 2010

The Language of the Banquet: Reconsidering Paolo Veronese’s Wedding at Cana

by Kate H. Hanson

Published: Jan 01, 2010

Eating My Words: Talking About Food in Performance

by Yael Raviv

Published: Jan 01, 2010

Issue 30 / Introduction: Help Yourself

by Alexandra Alisauskas

Published: Jan 01, 2010

Post-Orientalist Aesthetics:  Experimental Film and Video in Lebanon

by Mark R. Westmoreland

Published: Sep 01, 2009

“I’m Black an’ I’m Proud”: Ruth Negga, Breakfast on Pluto, and Invisible Irelands

by Charlotte McIvor

Published: Sep 01, 2009

This Bridge Called Imagination: On Reading the Arab Image Foundation and Its Collection

by Dore Bowen

Published: May 01, 2008

The Virtual Archive and the Missing Trace: Charlotte Salomon on CD ROM

by Elisabeth R. Friedman

Published: May 01, 2008

Buried in the Arkheia: Writing the Female Infant into Being

by Pashmina Murthy

Published: May 01, 2008

Archival Genres: Gathering Texts and Reading Spaces

by Kate Eichhorn

Published: May 01, 2008

Obsolescence and Exchange in Cedric Price's Dispensable Museum

by Lucia Vodanovic

Published: Dec 01, 2007

Seeing Trans for the Trees: Rhizomatic Curatorial Frameworks and the Visualizing TRANS Exhibition

by Amy L. Noell

Published: Dec 01, 2007

Distributed Spatial Practice, as Applied to the Art of Exhibition

by Vince Dziekan

Published: Dec 01, 2007

Artist-Curators and Art Historian-Curators at the Edge: How the “Modern West” Revealed Boundaries of Curatorial Practice

by Austen Barron Bailly

Published: Dec 01, 2007

The Return of the Repressed: Cybersubjectivity in ROBOCOP

by Dale Bradley

Published: Jan 08, 2006

Bewilderment and Suspension Bridges: The Joke as Symptom of Language

by Shane Herron

Published: Jan 08, 2006

Multiple Symptoms and the Visible Real: Culture, Media, and the Displacements of Vision

by Sudeep Dasgupta

Published: Jan 08, 2006

Unnatural Passions?: Notes Toward a Queer Ecology

by Catriona Mortimer-Sandilands

Published: Oct 01, 2005

“Taking the SUV to a Place It’s Never Been Before”: SUV Ads and the Consumption of Nature

by Melissa Aronczyk

Published: Oct 01, 2005

Natures and Cultures of Cuteness

by Gary Genosko

Published: Oct 01, 2005

“Take Only Photographs”: Animal Photography’s Construction of Nature Love

by Matthew Brower

Published: Oct 01, 2005

A Thread of Knots: Jacques Derrida’s Homage to Emmanuel Levinas’ Ethical Reminder

by Miriam Bankovsky

Published: Oct 01, 2004

The Sound of Time is not tick tock: The Loop as a Direct Image of Time in Noto’s Endless Loop Edition (2) and the Drone Music of Phill Niblock

by Greg Hainge

Published: Oct 01, 2004

The Way We Loop “Now”: Eddying in the Flows of Media

by Jaimey Hamilton

Published: Oct 01, 2004

Repetition and the Work of Hypertextual Mourning: Ryman’s 253 and the NAMES Project AIDS Quilt

by Eric Sonstroem

Published: Oct 01, 2004

Funny How Secrets Travel: David Lynch’s Lost Highway

by Alanna Thain

Published: Oct 01, 2004

Heads or Tails: The Emergence of a New Cultural Series, from the Phenakisticope to the Cinematograph

by Nicolas Dulac and Andre Gaudreault

Published: Oct 20, 2004

The Image Before Me

by Peter Hobbs

Published: Jan 01, 2004

The Automatic Hand: Spiritualism, Psychoanalysis, and Surrealism

by Rachel Leah Thompson

Published: Jan 01, 2004

The Naked Truth or the Shadow of Doubt?: X-Rays and the Problematic of Transparency

by Corey Keller

Published: Jan 01, 2004

Real Lies, True Fakes, and Supermodels

by Elizabeth Mangini

Published: Jan 01, 2004

"Eat it alive and swallow it whole!": Resavoring Cannibal Holocaust as a Mockumentary

by Carolina Gabriela Juaregui

Published: Jan 01, 2004

Leaflet Drop: The Paper Landscapes of War

by Jennifer Gabrys

Published: Jan 01, 2004

Appetite for Destruction: Public Iconography and the Artificial Ruins of SITE, Inc.

by Jessica Robey

Published: Sep 01, 2003

All Together Now! Publics and Participation in American Idol

by Simon Cowell

Published: Sep 01, 2003

Canine Citizenship and the Intimate Public Sphere

by Lisa Uddin

Published: Sep 01, 2003

Picturing Berlin: Piecing Together a Public Sphere

by Sunil Manghani

Published: Sep 01, 2003

Plurality in Place: Activating Public Spheres and Public Spaces in Seattle

by Shannon Mattern

Published: Sep 01, 2003

Introduction: Visual Culture and National Identity

by Lucy Curzon

Published: Jan 01, 2003

Shooting Soldiers: Civil War Medical Images, Memory, and Identity in America

by J. T. H. Connor and Michael G. Rhode

Published: Jan 01, 2003

Saving the Other/Rescuing the Self:Promethean Aspirations in Mikhail Kalatozov's Sol Svanetii

by Daniel Humphrey

Published: Jan 01, 2003

A Case Study in the Construction of Place:Boundary Management as Theme and Strategy in Canadian Art and Life

by Gaile McGregor

Published: Jan 01, 2003

Incarnate Politics: The Rhetorics of German Reunification in the Architecture of Berlin

by Daniela Sandler

Published: Jan 01, 2003

Inventing Wifredo Lam: The ParisianAvant-Garde's Primitivist Fixation

by Michele Greet

Published: Jan 01, 2003

Introduction: To Incorporate Practice

by T'ai Smith

Published: Jan 02, 2002

The Inside is the Outside: The Relational as the (Feminine) Space of the Radical

by Catherine de Zegher

Published: Jan 03, 2002

Kurt Schwitters' 'Merzbau': The Desiring House

by Jaleh Mansoor

Published: Jan 03, 2002

"Pictures made of wool": The Gender of Labor at the Bauhaus Weaving Workshop (1919-23)

by T'ai Smith

Published: Jan 03, 2002

The Temporality of the Public Sphere:Orpheus Descending’s Loop between Art and Culture

by Margot Bouman

Published: Feb 03, 2002

On the edge of the field or inside the plane:Airplanes and Artworld Revisited

by Leena-Maija Rossi

Published: Jan 03, 2002

Andy Warhol's Iconophilia

by William V. Ganis

Published: Jan 01, 2000

Photographs and Signatures: Absence, Presence, and Temporality in Barthes and Derrida

by Lori Wike

Published: Jan 01, 2000

Unthinkable Sex: Conceptual Personae and the Time-Image

by D. N. Rodowick

Published: Jan 01, 2000

Images of Thought and Acts of Creation: Deleuze, Bergson, and the Question of Cinema

by Amy Herzog

Published: Jan 01, 2000

Focillon's Bergsonian Rhetoric and the Possibility of Deconstruction

by Andrei Molotiu

Published: Jan 01, 2000

Introduction: Time and the Work

by Reni Celeste

Published: Jan 01, 2000

Articles

The Monster Has Kind Eyes: Intimacy and Frustration in The Last Guardian

Playful (Counter)Publics: Game Mods as Rhetorical Forms of Active and Subversive Player Participation

The Kinesthetic Index: Video Games and the Body of Motion Capture

Wait Wait… Don’t Play Me: The Clicker Game Genre and Configuring Everyday Temporalities

The Category Is Pathological: The Object Must Be Found, The Object Must Be Lacking

Compression Aesthetics: Glitch From the Avant-Garde to Kanye West

Cute Technics in the Love Machine

Playing through the Terminal: Mixed Realism and Air Travel

Provincial Matters

Knit for Defense, Purl to Control

Art Documents: The Politics of Visibility in Contemporary Photography

Opacity and Sensation in Reynier Leyva Novo’s Historical Installations

The Problem of Nonhuman Phenomenology: or, What is it Like to Be a Kinect?

Performing the Document in Francis Alÿs’s Re-enactments (2001)

Before Pictures: An interview with Douglas Crimp

The Lightest Distinction

Message in a Bottle: Contesting the Legibility/Illegibility of Ruins and Revival in Post-Katrina New Orleans

Putting Penises under the Microscope

The Selfie in the Age of Digital Recursion

Molyneux Redux

Plane Sighting

Elusive Memorials: Blind-Spots, Insight, and Gun Violence at the University of Texas at Austin

Translations of Blind Perception in the Films Monika (2011) and Antoine (2008)

Art Forever New

Google Search: Hyper-visibility as a Means of Rendering Black Women and Girls Invisible

Definite Indeterminacy: Blindness in the Civil War Imagery of Ambrose Bierce and Winslow Homer

Developing the In/visible Astronaut

“Pretty Pictures”: The Use of False Color in Images of Deep Space

Mediating Visual Experience: Zbigniew Libera’s Photographic Works and Google Street View Imagery

Seeing the Sounds: Exceeding the Frame through the Acoustical Sublime in the Revelation at Sinai

Snapshot Aesthetics and the Strategic Imagination

Tasting Space

Serializing the Past: Re-Evaluating History in Mad Men

Mourning Becomes the Mad Men: Notes on Nostalgia

“So Much Woman”: Female Objectification, Narrative Complexity, and Feminist Temporality in AMC’s Mad Men

Post-Katrina Citizen Media: Speaking NOLA

Composing Catastrophe: Robert Polidori’s Photographs in After theFlood and Comparative Visual Records of Post-Katrina New Orleans

Spectacular Disaster: The Louisiana Superdome and Subsumed Blackness in Post-Katrina New Orleans

Encrypting Katrina: Traumatic Inscription and the Architecture of Amnesia

Public Surfaces Beyond the Great Wall: Communication and Graffiti Culture in China

Between Absence and Presence: Exploring Video Earth’s What is Photography?

The Politics of Spectacle: The Gwangju Biennale and the Asian Century

Breaking Dalinian Bread: On Consuming the Anthropomorphic, Performative, Ferocious, and Eucharistic Loaves of Salvador Dalí

Distasteful: An Investigation of Food’s Subversive Function in René Magritte’s The Portrait and Meret Oppenheim’s Ma Gouvernante—My Nurse—Mein Kindermädchen

You Are What (and How) You Eat: Paul McCarthy’s Food-Flinging Frenzies

The Language of the Banquet: Reconsidering Paolo Veronese’s Wedding at Cana

Eating My Words: Talking About Food in Performance

Issue 30 / Introduction: Help Yourself

Post-Orientalist Aesthetics: Experimental Film and Video in Lebanon

“I’m Black an’ I’m Proud”: Ruth Negga, Breakfast on Pluto, and Invisible Irelands

This Bridge Called Imagination: On Reading the Arab Image Foundation and Its Collection

The Virtual Archive and the Missing Trace: Charlotte Salomon on CD ROM

Buried in the Arkheia: Writing the Female Infant into Being

Archival Genres: Gathering Texts and Reading Spaces

Obsolescence and Exchange in Cedric Price's Dispensable Museum

Seeing Trans for the Trees: Rhizomatic Curatorial Frameworks and the Visualizing TRANS Exhibition

Distributed Spatial Practice, as Applied to the Art of Exhibition

Artist-Curators and Art Historian-Curators at the Edge: How the “Modern West” Revealed Boundaries of Curatorial Practice

The Return of the Repressed: Cybersubjectivity in ROBOCOP

Bewilderment and Suspension Bridges: The Joke as Symptom of Language

Multiple Symptoms and the Visible Real: Culture, Media, and the Displacements of Vision

Unnatural Passions?: Notes Toward a Queer Ecology

“Taking the SUV to a Place It’s Never Been Before”: SUV Ads and the Consumption of Nature

Natures and Cultures of Cuteness

“Take Only Photographs”: Animal Photography’s Construction of Nature Love

A Thread of Knots: Jacques Derrida’s Homage to Emmanuel Levinas’ Ethical Reminder

The Sound of Time is not tick tock: The Loop as a Direct Image of Time in Noto’s Endless Loop Edition (2) and the Drone Music of Phill Niblock

The Way We Loop “Now”: Eddying in the Flows of Media

Repetition and the Work of Hypertextual Mourning: Ryman’s 253 and the NAMES Project AIDS Quilt

Funny How Secrets Travel: David Lynch’s Lost Highway

Heads or Tails: The Emergence of a New Cultural Series, from the Phenakisticope to the Cinematograph

The Image Before Me

The Automatic Hand: Spiritualism, Psychoanalysis, and Surrealism

The Naked Truth or the Shadow of Doubt?: X-Rays and the Problematic of Transparency

Real Lies, True Fakes, and Supermodels

"Eat it alive and swallow it whole!": Resavoring Cannibal Holocaust as a Mockumentary

Leaflet Drop: The Paper Landscapes of War

Appetite for Destruction: Public Iconography and the Artificial Ruins of SITE, Inc.

All Together Now! Publics and Participation in American Idol

Post-Orientalist Aesthetics:  Experimental Film and Video in Lebanon